Program Dates: July 30 – August 4, 2018
Are you an advanced amateur musician looking for an opportunity to connect with other musicians who share your passion? Apply now to the TSM Community Academy, where you can hone your skills and spend a fun week with the artists of the Toronto Summer Music Festival.
Participants enjoy access to all mainstage TSM Festival Concerts, lectures, events (July 30 – August 4), as well as the opportunity to perform onstage at Walter Hall. The TSM Community Academy takes place at the Edward Johnson Building, Faculty of Music, University of Toronto.
Choose from one of three programs:
July 30 – August 4, 2018
Applications to the 2018 Community Academy Chamber Choir are now open.
Click here to apply to the Chamber Choir.
The Chamber Choir is a chance to refresh vocal skills and study the great works of choral literature in the intimacy of a chamber vocal ensemble. Spend one-week rehearsing the following works with acclaimed choral conductor, virtuoso recorder player and composer, Matthias Maute.
P.I. Tchaikovsky: Hymn of the Cherubim
C. Monteverdi: Hor che’l ciel
J. Brahms: 7 Lieder für gemischten Chor
J.S. Bach: Missa in g minor BWV 235
C. Monteverdi: Dolcissimo uscignolo
S. Barber: Agnus Dei
A. Vivaldi: In exitu Israel
In addition to voice-coaching and individual lessons with vocal coaches, choir participants are invited to gather together in the morning to sing movements from F. Mendelssohn-Bartholdy’s Elijah with participants from the Chamber Music and Piano Masterclass programs under Matthias’ direction. The week will culminate with a performance in Walter Hall.
July 30 – August 4, 2018
Applications to the 2018 Community Academy Chamber Music Program are now closed.
The Chamber Music program is directed to instrumental amateurs seeking a high-level music-making experience. Participants will be placed in ensembles with professional musicians for a week of intensive rehearsing, coachings, and camaraderie. This program is open to strings, winds, brass, and pianists (both individuals and pre-formed ensembles are welcome to apply).
July 30 – August 4, 2018
Applications to the 2018 Community Academy Piano Masterclass are now open.
Click here to apply to the Piano Masterclass.
The Piano Masterclass is a chance to improve your skills and explore the limitless repertoire for solo piano! This program features daily masterclasses, individual lessons, and guest instructors at the highest level. Spend an exciting week studying with a world-renowned pianists Angela Cheng and Philip Chiu!
Typical Daily Schedule
9:00am-10:00am – Morning chorale
10:00am-12:00pm – Rehearsals, masterclasses, coachings, Festival daytime events
12:00pm-1:00pm – Lunch
1:00pm-3:00pm – Rehearsals, masterclass, coachings
5:00pm onwards – Festival concerts
Who Can Apply
Applicants must be over 18 years of age. This program is intended for advanced amateurs* intent on improving their skills with a rigorous daily schedule of rehearsals, coachings, and masterclasses.
*The Community Academy is geared towards adult amateur musicians and is not recommended for students currently enrolled in a music degree at a university/college.
Chamber Choir: $700*
Chamber Music: $950*
Piano Masterclass: $950*
50% Tuition due upon acceptance
June 1, 2018 – Remaining 50% of tuition due
*HST will be added to the tuition fee at time of purchase.
NEW: Introduce a friend to apply to the Community Academy, and receive a pair of complimentary tickets.
The application and tuition fees are non-refundable. Tuition fees include Community Academy program plus tickets to all TSM Festival concerts July 30th to August 4th upon request ($250 value), daily lunch, and morning coffee. Tuition does not include breakfast/dinner, lodging, or travel.
All tuition must be paid in full by June 1, 2018. Participants can withdraw up until June 15, 2018, and receive a 50% refund of the full tuition fee. Participants withdrawing after June 15, 2018 are not eligible for any refund.
Chamber Choir Mentors
Matthias Maute has carved out an impressive international reputation for himself not only as one of the great recorder and baroque flute virtuosos of his generation but also as a composer and conductor. Since winning first prize in the soloist category at the prestigious Bruges Early Music Competition in 1990, he has led a highly successful career as a recorder and baroque flute soloist. He made his debut in New York’s Lincoln Center in 2008 and has twice been the featured soloist for the Boston Early Music Festival. He records and tours extensively. The Washington Post hailed him as one of the greatest recorder players on the North American musical scene.
Since 25 years, Matthias concertizes as member of the New York based ensemble REBEL in North America and Europe. He has been invited to perform as guest soloist or conductor by the world’s most eminent baroque orchestras, including: Seattle Baroque, the Portland Baroque Orchestra, the Cleveland Baroque Orchestra, “Apollo’s Fire” and the Magnificat Baroque Ensemble. In recent years he has also been invited to conduct other renowned orchestras, including I Musici de Montreal and Symphony of Nova Scotia. Matthias Maute is also celebrated for his work as artistic director and conductor of Ensemble Caprice. In this capacity he is known for creating and leading ingenious and captivatingly original programmes. He tours extensively with the ensemble, being regularly invited to take part in prestigious festivals around the globe. In Canada, the group can be heard at the Ottawa International Chamber Music Festival, the Festival international du Domaine Forget, Early Music Vancouver, Early Music Voices in Calgary and the Elora Festival in Ontario. Under his direction, Ensemble Caprice was granted an esteemed JUNO award in 2009 for best vocal/choral classical music album of the year (for its CD Gloria! Vivaldi and his Angels on the Analekta label).
Matthias Maute’s compositions are highly regarded and have been published by Breitkopf & Härtel, Amadeus, Moeck, and Carus. He has some thirty recordings to his credit on the Analekta, Vanguard Clasics, Bella Musica, Dorian, Bridge and ATMA Classique labels. Matthias Maute teaches at McGill University’s Schulich School of Music and at the Faculty of Music of the Université de Montréal.
Chamber Music Mentors
Alexander Kerr’s expressive and charismatic style has made him one of the most accomplished and versatile violinists on the international music scene today. In 1996 at the age of 26, Mr. Kerr was appointed to the prestigious position of Concertmaster of the Royal Concertgebouw Orchestra in Amsterdam, the Netherlands. After nine successful years at that post, he left in June, 2006 to assume the endowed Linda and Jack Gill Chair in Music as Professor of Violin at the Indiana University Jacobs School of Music. In addition to his teaching responsibilities in Bloomington, he maintains a busy concert schedule appearing with orchestras and in recital and chamber music performances throughout the U.S., Asia and Europe. In 2008 he began his tenure as Principal Guest Concertmaster of the Indianapolis Symphony Orchestra and in September 2011, he assumed his role as Concertmaster of the Dallas Symphony Orchestra.
Regarded by the press as a masterful virtuoso with an elegant, old-world sound, Mr. Kerr has appeared as soloist with major orchestras throughout the United States and Europe, working with such renowned conductors as Mariss Jansons, Riccardo Chailly, Peter Oundjian, Donald Runnicles, Robert Spano, Alan Gilbert, Jaap van Zweden and David Zinman.
An active chamber musician, Mr. Kerr has collaborated with Martha Argerich, Leif Ove Andsnes, Emanuel Ax, Joshua Bell, Yefim Bronfman, Edgar Meyer, Truls Mørk, Menahem Pressler, Vadim Repin, Alisa Weilerstein, Kim Kashkashian and Maxim Vengerov in performances at festivals in Aspen, Santa Fe, Caramoor, La Jolla, Stavanger, and throughout Spain, Portugal, Turkey, Switzerland, Austria and the Netherlands. He has recently launched a collaboration with cellist Eric Kim and the Dorothy Richard Starling Foundation, showcasing the enormous wealth of talent at the Indiana University Jacobs School of Music. The “Starling Chamber Players,” a mixture of faculty and students will tour chamber music venues throughout the nation.
Mr. Kerr’s CD releases include the Dvorak Piano Quintet with Sarah Chang and Leif Ove Andsnes on the EMI label, music by Dutch composer Julius Röntgen on the NM Classics label, and the Shostakovich Romance on a series of discs including “Violin Adagios” and “Evening Adagios” released by Decca. A live DVD and CD recording of Strauss’ Ein Heldenleben with Mr. Kerr, the RCO and Maestro Mariss Jansons was released in 2005 on the RCO’s own label: RCOLive!
Raised in Alexandria, Virginia, Mr. Kerr began his studies at age seven with members of the National Symphony Orchestra. He went on to study with Sally Thomas at the Juilliard School, and with Aaron Rosand at the Curtis Institute of Music where he received his Bachelor of Music degree in 1992.
Canadian violinist Aaron Schwebel has performed throughout the world in various musical roles. Based in his native Toronto, Aaron currently holds the positions of Concertmaster with the National Ballet of Canada Orchestra and Associate Concertmaster with the Canadian Opera Company. As a guest concertmaster, Aaron has performed with the National Arts Centre Orchestra, Les Violons Du Roy, the Hamilton Philharmonic Orchestra, Kitchener-Waterloo Symphony, and Orchestra London.Aaron has performed as a soloist with the Toronto Symphony Orchestra, Sinfonia Lanaudiere, the National Ballet of Canada Orchestra, and McGill Symphony Orchestra. An active chamber music performer, he is a founding member of the Toronto-based Penrose Trio, LARK ensemble, and Rosebud Quartet, and has been on faculty at Toronto Summer Music Festival and Klezkanada. He has been invited to take part in Ottawa Chamberfest, Montreal Chamber Music Festival, Music By The Sea in Bamfield, British Columbia, and the Rosebud Chamber Music Festival. Aaron is grateful to be playing on a 1753 Joannes Baptista Guadagnini violin, on loan to him from the Canada Council for the Arts Instrument Bank.Aaron did his studies at McGill University and Indiana University with teachers Jonathan Crow, Yaela Hertz, Mauricio Fuks, and Andre Roy. As a student, Aaron was a member of the Roddick String Quartet, representing Canada at the London International String Quartet Competition, and the Kuttner Quartet, Indiana’s resident string quartet. Upon graduation from McGill, Aaron was awarded the Schulich School of Music’s Golden Violin Award.
Violinist and violist Barry Shiffman is well-respected as a musician, educator and administrator. He was co-founder of the St. Lawrence String Quartet (SLSQ), and since 2010 has been both the Associate Dean and Director of Chamber Music at the Glenn Gould School and Director of the Phil and Eli Taylor Performance Academy for Young Artists at The Royal Conservatory of Music . During his 17 years with the SLSQ he appeared in over 2,000 concerts in venues around the globe, and recorded several critically acclaimed discs under an exclusive contract with EMI Classics. While in SLSQ, Shiffman served as artist-in-residence at Stanford University from 1998 to 2006 and as visiting artist at the University of Toronto from 1995 to 2006.
He has also served in numerous roles at the Banff Centre, including Director of Music Programs (2006-2010), Artistic Director of the Centre’s Summer Classical Music Programs (2010-2016), and since 2006 Executive Director of the Banff International String Quartet Competition. During his tenure at The Banff Centre he introduced new programming in classical music performance, composition, popular music and jazz and oversaw the dramatic growth of The Banff International String Quartet Competition (BISQC). From 2009-2017, he was Executive Artistic Director of Music in the Morning Concert Society in Vancouver.
A sought after juror, he has served on the violin jury of the Tchaikovsky and Montreal Violin Competitions, and the String Quartet Competitions of London Wigmore Hall, Lyon and Geneva, as well as many national competitions in Canada.
He has recently been appointment Artistic Director of Rockport Music in Massachusetts, overseeing all classical programming for the organization including a five week summer chamber music festival.
He received his formal studies at the Royal Conservatory in Toronto, University of Toronto, Utrecht Conservatory, Hartt School of Music, Juilliard School and Yale University. Summer studies included The Banff Centre, Tanglewood and Aspen.
Barry Shiffman is the recipient of the Longy School’s Nadia Boulanger Prize for Excellence in the Art of Teaching, and an Honorary Doctorate from The University of Calgary.
Steven Dann’s career has covered a wealth of violistic possibilities. As principal viola of some of the world’s leading orchestras, as a veteran of the string quartet and chamber music world, as soloist and recitalist and as a dedicated teacher.
Mr. Dann was born in Vancouver, Canada. His foremost teacher and mentor was the late Lorand Fenyves. Other influences include William Primrose, Robert Pikler, Bruno Giuranna and five summers spent studying the string quartet repertoire with Zoltan Szekely and members of the Hungarian String Quartet.
Upon graduation from university he was named Principal Viola of the National Arts Centre Orchestra in Ottawa, Canada, a position he has subsequently held with the Tonhalle Orchestra in Zurich, the Royal Concertgebouw Orchestra in Amsterdam, the Vancouver Symphony and the Toronto Symphony Orchestra. He has also served as guest principal of the Luzern Festival Orchestra, the Boston Symphony Orchestra under Seiji Ozawa, the City of Birmingham Symphony Orchestra under Sir Simon Rattle and, in both performance and recordings, with the Chamber Orchestra of Europe under Nikolaus Harnoncourt, Paavo Berglund and Pierre Boulez and the Canadian Opera Company in performances of Wagner’s Ring Cycle.
Steven Dann has collaborated as a soloist with such Maestri as Sir Andrew Davis, Rudolph Barshai, Jiri Belohlavek, Sir John Elliott Gardiner, Jukka-Pekka Saraste and Vladimir Ashkenazy.
Since 1990 Mr. Dann has been a member of the Smithsonian Chamber Players in Washington D.C. and was a founding member of the Axelrod String Quartet. He is currently violist of both the Zebra Trio (with violinist Ernst Kovacic and cellist Anssi Karttunen) and Toronto’s twice Grammy-nominated ARC Ensemble.
Mr. Dann has recorded for Sony, Naxos, CBC Records, Marquis Classics, Centrediscs, RCA Red Seal, Ondine, Kairos, Chandos and ATMA Classique. The Stereo Record Review described his 2006 recording of the viola works of Brahms (ATMA CLASSIQUE) as “without doubt, one of the most beautiful viola recordings I have ever heard”. A second CD for ATMA of French repertoire was released in March of 2013.
Recent performances include solo works/concerti by Peter Lieberson, Giya Kancheli, W.A. Mozart, Alexina Louie, Christos Hatzis (world premiere), Mark- Anthony Turnage, Jonathan Harvey, Peter Oesterle (world premiere), William Walton and Morton Feldman. Mr. Dann has himself commissioned and premiered many new works from such composers as Alexina Louie, Peter Lieberson, R. Murray Shafer, Frederick Schipitsky, Walter Buczyinski, Christos Hatzis and Michael Oesterle.
As both a performer and teacher, Mr. Dann is a regular guest at many international festivals and arts schools. He teaches viola and chamber music at the Glenn Gould School in Toronto’s Royal Conservatory of Music and is the Coordinator of the chamber music program at the Domaine Forget in Quebec. Beginning in September of 2015 he will teach viola at McGill University as the Catherine Thornhill Steele Chair in Viola.
Mr. Dann plays a viola of Joseph Gagliano, circa 1780.
Violist Eric Nowlin has performed extensively throughout the United States as well as abroad. He currently serves as Principal Viola of the Detroit Symphony Orchestra. Past accomplishments include receiving second prize in the prestigious Walter W. Naumburg Competition, first prize in the Irving Klein International String Competition; first prize in the Hellam Young Artists Competition; grand prize in the Naftzger Young Artists Competition; and winner of the Juilliard Viola Concerto Competition. Performances have included solo engagements with the Detroit Symphony Orchestra, Springfield Symphony in Missouri, Santa Cruz Symphony, Peninsula Symphony, and the Kumamoto Symphony in Japan, as well as recitals in New York, Chicago, San Francisco, Toronto, and Mexico.
Mr. Nowlin is the violist of the Juno and Opus Award winning New Orford String Quartet. Other chamber music activities have included participating in festivals such as the Marlboro Music Festival in Vermont and the Steans Institute for Young Artists at Ravinia. He was a regular member of the Jupiter Chamber Players in New York City, and also toured with Musicians from Marlboro and Musicians from Ravinia’s Steans Institute.
Mr. Nowlin was previously the Associate Principal viola in the Toronto Symphony Orchestra, and has served as guest principal viola with the Saint Paul Chamber Orchestra, the Metropolis Ensemble, and Cleveland’s Citymusic, as well as substitute viola with the New York Philharmonic. Mr. Nowlin was an Assistant Professor at the Faculty of Music at the University of Toronto, and also taught at the Royal Conservatory of Music in Toronto. He spends time during the summer months teaching and performing at numerous music festivals in the United States and Canada. He received his Bachelor’s and Master’s degrees from The Juilliard School, as a scholarship student of Samuel Rhodes.
Mr. Nowlin plays on a Neapolitan viola from 1910, made by Giovanni Pistucci.
The Strad magazine describes cellist Ani Aznavoorian as having “Scorchingly committed performances that wring every last drop of emotion out of the music. Her technique is well-nigh immaculate, she has a natural sense of theater, and her tone is astonishingly responsive.” Ms. Aznavoorian is in demand as a soloist and chamber musician with some of the most recognized ensembles, and she has appeared with many of the world’s leading orchestras including the Chicago Symphony Orchestra, the Boston Pops, the Tokyo Philharmonic, the Helsinki Philharmonic, the Finnish Radio Symphony, the International Sejong Soloists, the Belgrade Philharmonic, the Juilliard Orchestra, and the Edmonton Symphony. This season marks Ms. Aznavoorian’s eleventh year as principal cellist with Camerata Pacifica.
Ms. Aznavoorian received the prestigious Bunkamura Orchard Hall Award for her outstanding cello playing and artistry. Some of her other awards include first prizes in the Illinois Young Performers Competition (televised live on PBS with the Chicago Symphony), the Chicago Cello Society National Competition, the Julius Stulberg Competition, and the American String Teachers Association Competition. She was a top prizewinner in the 1996 International Paulo Competition, held in Helsinki, Finland. As a recipient of the Level I award in the National Foundation for the Arts Recognition and Talent Search, Ms. Aznavoorian was named a Presidential Scholar in the Arts and performed as soloist at the Kennedy Center in Washington, D.C. where she met former U.S. President Bill Clinton.
As a first-year student at The Juilliard School, Ms. Aznavoorian won first prize in the institution’s concerto competition—the youngest cellist in the history of the school’s cello competitions to do so. As a result, she performed with the Juilliard Orchestra in a concert with conductor Gerard Schwarz at Avery Fisher Hall. With only 12 hours notice, Ms. Aznavoorian stepped in to replace Natalia Gutman in three performances of the Shostakovich Cello Concerto No. 1 with the San Jose Symphony—concerts that were hailed by the San Jose Press. Other notable appearances include concerts at Weill Hall and Zankel Hall at Carnegie Hall, Alice Tully Hall, Ravinia’s Bennett Hall, Aspen’s Harris Hall, the Dame Myra Hess Memorial Concert Series, WFMT Live from Studio 1, and NPR’s Performance Today. She has been a member of the renowned string ensemble the International Sejong Soloists, and also performs frequently on the Jupiter Chamber Music series in New York. Ms. Aznavoorian received both her Bachelor and Master of Music degrees from the Juilliard School where she studied with Aldo Parisot.
In addition to performing, teaching plays an important part in Ms. Aznavoorian’s career. She has been a member of the distinguished music faculty at the University of Illinois in Champaign/Urbana, and in the summers has served on the faculty of the Great Mountains Music Festival in South Korea. Ms. Aznavoorian enjoys performing new music and has made the world premiers of many important pieces in the cello repertoire. Some of these include Ezra Laderman’s Concerto No. 2 with the Colorado Springs Philharmonic under the baton of Lawrence Leighton Smith, Lera Auerbach’s “24 Preludes for Cello and Piano” on stage at the Hamburg Staatsoper with the Hamburg State Ballet—choreographed by John Neumeier, and Lera Auerbach’s “Dreammusik” for Cello and Chamber Orchestra, which was written for her and commissioned by Camerata Pacifica. In addition to return engagements at chamber music festivals around the globe, this season will include a debut concert tour of Armenia, the country of her ancestors. Ms. Aznavoorian records for Cedille Records, and she proudly performs on a cello made by her father Peter Aznavoorian in Chicago.
A native of St. Catharines Ontario, David Hetherington was for many years the Toronto Symphony Orchestra’s Assistant Principal Cellist.
He received his musical training at the Royal Conservatory of Music and the University of Toronto, and furthered his cello studies in New York, Italy and Germany with Claus Adam, André Navarra and Paul Tortelier. Mr. Hetherington teaches at the Glenn Gould School at the Royal Conservatory. He coaches the cello section of the the National Youth Orchestra of Canada, and is Music Director of the Inter-Provincial Music Camp near Parry Sound, Ontario.
As soloist, Mr. Hetherington has performed with the Toronto Symphony Orchestra, the Saskatoon Symphony Orchestra, the Sault Symphony Orchestra, the Niagara Symphony, the Symphony Orchestra of Canada, New Music Concerts and Soundstreams Canada as well as recitals at the University of Toronto and the Royal Conservatory of Music.
As chamber musician, he has toured Canada, the United States, Mexico, China and Europe, appeared at the Ottawa, Elora, Sweetwater and Kincardine Music Festivals and performed with many internationally renowned artists such as Shmuel Ashkenasi, Emmanuel Ax, Isabel Bayrakdarian, Measha Brueggergosman, James Ehnes, Heinz Holliger and Arnold Steinhardt. He appears regularly with the ARC Ensemble of the Royal Conservatory with whom he has toured and recorded.
Mr. Hetherington is a founding member of the Amici Chamber Ensemble which presents an annual series of concerts at the Mazzoleni Hall in Toronto. With Amici he has recorded twelve discs for Summit Records, Naxos, CBC records, ATMA Classique and Marquis Classics. Their first CD won a Juno award for Chan Ka Nin’s Among Friends which was written for Amici. In 2013 Amici won a Juno award for their recording Levant and their most recent recording “Inspired by Canada, Notre Pays” was released in November of 1017.
In addition to the Amici Chamber Ensemble, Mr. Hetherington is also a founding member of the string quartet Accordes, which performs regularly for New Music Concerts, Soundstreams Canada and other contemporary music organizations. In 2001, the Canadian Music Centre, through Centrediscs, released Accordes’ recording of Harry Somers’ String Quartets, for which it received a Juno Award nomination. Accordes has also recorded works by several other Canadian composers such as Norma Beecroft, David Eagle, Harry Freedman, Hope Lee, Alexina Louie and Jean Papineau-Couture.
Mr. Hetherington has appeared on several recordings for the CBC and for Centrediscs with whom he made the Canadian première recording of Talivaldis Kenins’ prize-winning cello sonata. He has been active in performing and recording much contemporary music and has recorded solo cello pieces by Alice Ho, Chan Ka Nin (CBC Records) and Elliot Carter (Naxos). In addition, he has collaborated personally with many other composers such as Brian Cherney, Henri Dutilleux, Heinz Holliger, Helmut Lachenmann, Magnus Lindberg and Alexina Louie for performances of their works for solo cello. All of these performances were recorded for broadcast by the CBC.
Mr. Hetherington plays a cello made in 1695 by Giovanni Battista Grancino.
Miles Jaques is currently serving as acting Associate Principal/Bass Clarinet of the Toronto Symphony Orchestra, for the 2016-2017 season, and continues to serve as bass clarinetist of the Santa Fe Opera Orchestra. Before moving to Canada, Mr. Jaques was a member of the New World Symphony in Miami Beach, Florida.
An accomplished orchestral musician, Mr. Jaques has performed with numerous ensembles, most recently the Cleveland Orchestra, New York Philharmonic, Florida Orchestra, Florida Grand Opera, Aspen Festival Orchestra, and was bass clarinetist of Symphony in C for the 2012-2013 season.
An avid chamber musician, Mr. Jaques has performed in several chamber music societies/festivals throughout the country, most recently, ChamberFest Dubuque, the Baltimore Chamber Music Society, Young Musician’s Forum, and with Orli Shaham in her chamber music concert series Baby Got Bach. In December 2011, Jaques celebrated his Carnegie Hall debut performance in Weill Hall.
An advocate for contemporary music and American composers, Mr. Jaques has been recognized across the United States as a leader in the exploration of new works being composed today for the clarinet and bass clarinet. Through recent commissions and performances, he has worked closely with award winning composers Viet Cuong, Clint Needham, and Lowell Liebermann.
Mr. Jaques has received degrees from the Peabody Conservatory of the Johns Hopkins University and the Mannes College of Music and has had the honor of studying with some of today’s most influential clarinetists, including Anthony McGill, Edward Palanker, and studied bass clarinet with James Ognibene.
Piano Masterclass Mentors
How To Apply
Application fee: $25 plus HST
Applications will be processed within 2-4 weeks of submission.