American tenor Anthony Dean Griffey has captured critical and popular acclaim on opera, concert and recital stages around the world. The combination of his beautiful and powerful lyric tenor voice, gift of dramatic interpretation and superb musicianship have earned him the highest praise from critics and audiences alike.
During the 2018/2019 season Mr. Griffey returns to the Metropolitan Opera for the Met premiere of Nico Muhly’s Marnie conducted by Robert Spano. Other appearances include Das Lied von der Erde with the Nashville Symphony led by Giancarlo Guerrero and The Dream of Gerontius with the Indianapolis Symphony and Michael Francis. He will be heard in recital with pianist Warren Jones at the University of Notre Dame, and at New York City’s Morgan Library for the George London Foundation for Singers. Last season he sang the Dream of Gerontius with the Vancouver Symphony and Bramwell Tovey, the Britten Serenade for Tenor and Horn with the Rhode Island Philharmonic and Ken-David Masur, the Verdi Requiem at the Brevard Music Festival led by JoAnn Falletta, Das Lied von der Erde with the Orquesta Sinfónica de Minería led by Carlos Miguel Prieto, Beethoven Symphony No. 9 with the Omaha Symphony and Thomas Wilkins, and for a return to the Milwaukee Symphony led by Jun Märkl. He appeared in recital with pianist Warren Jones at the Eastman School of Music and Manhattan School of Music, and in a special recital with Frederica von Stade at Eastman.
Anthony Dean Griffey has appeared in the world’s most prestigious opera houses including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Los Angeles Opera, Santa Fe Opera, Houston Grand Opera, Paris Opera, Teatro Comunale di Firenze, Teatro dell’Opera in Rome, and the Saito Kinen Festival in Japan. His many roles include the title roles in Peter Grimes, Idomeneo, Oedipus Rex, and Kurka’s The Good Soldier Schweik; Florestan in Fidelio, Erik in Die Fliegende Holländer, Male Chorus in The Rape of Lucretia, Alfred in Die Fledermaus, and Jim Mahoney in The Rise and Fall of the City of Mahagonny.
Mr. Griffey is particularly noted for his portrayal of the title role in Peter Grimes, which has won him international acclaim. He debuted the role at the Tanglewood Festival under the baton of Seiji Ozawa, and has since performed it all over the world, most recently in concert performances with the St. Louis Symphony in St. Louis and at Carnegie Hall as part of its Britten Centenary celebrations. He also appeared in a new production at the Metropolitan Opera that was broadcast live in the company’s Met: Live in HD series and subsequently released on DVD (EMI Classics) and in a production with Mark Wigglesworth at the Glyndebourne Festival, which was also released as a commercial recording.
A supporter of new works, Mr. Griffey has won critical acclaim for creating the role of Mitch in the world premiere of André Previn’s A Streetcar Named Desire at the San Francisco Opera and for his performances of Lennie in Carlisle Floyd’s Of Mice and Men, for which he won a Helpmann award for Best Male Performer in an Opera when he performed the role at the Australia Opera.
He also recently premiered Christopher Theofanidis’ The Gift with the Pittsburgh Symphony. A celebrated concert performer, Mr. Griffey appears regularly with many distinguished international orchestras including the New York Philharmonic, Chicago Symphony Orchestra, Boston Symphony Orchestra, Pittsburgh Symphony Orchestra, Philadelphia Orchestra, Los Angeles Philharmonic, Minnesota Orchestra, Atlanta Symphony Orchestra, Chamber Music Society of Lincoln Center, Montreal Symphony Orchestra, Toronto Symphony Orchestra, London Symphony Orchestra, Philharmonia Orchestra in London, Halle Orchestra, Orchestre de Paris, Tonhalle Orchester Zürich, Munich Philharmonic Orchestra, Berlin Philharmonic, Orquesta Nacional de España in Madrid, Orquestra Sinfônica do Estado de São Paulo, Radio Filharmonisch Orkest Holland at the Concertgebouw, and the NHK Symphony Orchestra and Saito Kinen Orchestra in Japan. He has also appeared in the world’s most prominent festival including the BBC Proms and the Tanglewood, Ravinia, Aspen Music, Edinburgh, Lanaudière, and Saito Kinen festivals.
The list of acclaimed conductors he has worked with includes James Conlon, Sir Andrew Davis, Sir Colin Davis, Charles Dutoit, Mark Elder, Christoph Eschenbach, Donald Runnicles, Valery Gergiev, Alan Gilbert, Bernard Haitink, Manfred Honeck, Mariss Jansons, James Levine, Lorin Maazel, Sir Neville Marriner, Kurt Masur, Seiji Ozawa, Esa-Pekka Salonen, Andre Previn, Robert Spano, Patrick Summers, Michael Tilson Thomas, Edo de Waart, Mark Wigglesworth, Jaap van Zweden, and David Zinman.
Mr. Griffey made his Carnegie Hall Zankel Hall recital debut in 2004 where André Previn composed and dedicated a song cycle for him and accompanied him on the piano. Mr. Griffey has also been presented with his long-time pianist and collaborator Warren Jones by many prestigious recital series throughout the U.S. including San Francisco Performances, Philadelphia Chamber Music Society, the Schubert Club in Saint Paul, Vocal Arts Society in Washington, D.C., the George London Foundation, the Cleveland Art Song, Ravinia and Marlboro festivals and the Music Academy of the West. In the spring of 2006 he had the distinction of being invited to perform a recital at the Supreme Court of the United States by Justice Ruth Bader Ginsburg.
A four time Grammy-winning recording artist, Mr. Griffey’s extensive DVD and compact disc recordings include the Metropolitan Opera’s Peter Grimes (EMI Classics) the Los Angeles Opera’s The Rise and Fall of the City of Mahagonny (Euroarts), the Metropolitan Opera’s Tristan und Isolde (DG/Universal); the San Francisco Opera’s A Streetcar Named Desire (video on Image Entertainment and audio on DG), Taylor’s Peter Ibbetson with the Seattle Symphony (Naxos), Mahler’s Symphony No. 8 with Michael Tilson Thomas and the San Francisco Symphony (SFS Media), Lorin Maazel and the New York Philharmonic (New York Philharmonic), and the Tonhalle Orchestra (RCA); Britten’s War Requiem with Kurt Masur and the London Philharmonic Orchestra (LPO); Les Mamelles de Tirésias with Seiji Ozawa (Philips); I Lombardi with James Levine (Decca/London); Amy Beach’s Cabildo (Delos); and Of Mice and Men with the Houston Grand Opera (Albany). He has also been featured as an Artist of the Week on A&E’s Breakfast with the Arts. Mr. Griffey’s most recently collaborated with classical guitarist Joseph Pecoraro on a solo Christmas album entitled This Little Light that was released in October 2012 (Cgs Enterprises).
Since the start of his career Mr. Griffey has taken an active role in many charitable efforts, advocating for arts programs in the Guilford County Public Schools, raising money for the Mental Health Association as well as giving benefit concerts for the “Open Door Shelter” for which Griffey has raised hundreds of thousands of dollars for the homeless in his hometown. He is also actively involved with the High Point Area Arts Council. Mr. Griffey holds degrees from Wingate University, the Eastman School of Music, the Juilliard School and was a member of the Metropolitan Opera’s Lindemann Young Artists Program. He was awarded the Doctorate of Humane Letters from Wingate University in May 2012 and was also inducted into the North Carolina Music Hall of Fame in 2011.
Since 2015 Griffey has held the position of Professor of Voice at the Eastman School of Music – University of Rochester.
Warren Jones enjoys a notably eclectic career that has taken him to virtually every corner of the musical world. He performs with some of today’s best-known artists: Stephanie Blythe, Anthony Dean Griffey, Bo Skovhus, Eric Owens, John Relyea, and Richard “Yongjae” O’Neill—and is the Robert and Mercedes Eichholz Principal Pianist for the exciting Santa Barbara-based chamber music group Camerata Pacifica. In the past he has partnered such great performers as Marilyn Horne, Håkan Hagegård, Kathleen Battle, Samuel Ramey, Christine Brewer, Barbara Bonney, Carol Vaness, Judith Blegen, Salvatore Licitra, Tatiana Troyanos, Thomas Hampson, James Morris, and Martti Talvela.
He is a long-time member of the faculty of Manhattan School of Music as well as the Music Academy of the West, and received the “Achievement Award” for 2011 from the Music Teachers National Association of America, their highest honor. In 2010 he was selected as “Collaborative Pianist of the Year” by the publication Musical America. He has been an invited guest at the White House to perform for state dinners in honor of the leaders of Canada, Russia, and Italy; and three times the invited guest of the Justices of the United States Supreme Court for musical afternoons in the East Conference Room at the Court.
A graduate of both New England Conservatory and San Francisco Conservatory of Music, Mr. Jones currently serves on the NEC Board of Visitors and has been honored with the Doctor of Music degree from SFCM. His discography contains thirty-one recordings on every major label in a wide range of repertory. His conducting repertory is similarly varied: he has led sold-out critically-acclaimed performances of Mascagni’s L’amico Fritz, Rossini’s Il barbiere di Siviglia, and Mozart’s Die Zauberfloete; and in 2014 he conducted the world premiere of a new operatic version of A Christmas Carol at the Houston Grand Opera. Mr. Jones returned to the Merola Opera Program at San Francisco Opera for performances of Donizetti’s comedy Don Pasquale in the summer of 2015. In February 2016 he led an innovative new production of Menotti’s The Telephone and Bernstein’s Trouble in Tahiti for Tri-Cities Opera.
Steven Philcox is regarded as one of Canada’s finest collaborators and is a frequent partner of Canada’s vocal elite performing in concert halls across North America where he continues to garner the reputation as one of this country’s most expressive and colorful interpreters.
From 1999-2010, Philcox was a celebrated member of the music staff of the Canadian Opera Company where he served as répétiteur and assistant conductor on more than 35 productions and was the pianist of choice for the continuo of Handel and Mozart. In 2006, Philcox distinguished himself in an auspicious debut conducting the final performance of Mozart’s Cosi fan tutte in the Four Seasons Centre for the Performing Arts.
Increasingly recognized for his teaching, Philcox has given masterclasses throughout Canada and is regularly invited to mentor young artists at many of Canada’s prestigious summer programs. Recent highlights include Opera on the Avalon, Toronto Summer Music, Vancouver International Song Institute, and the Centre for Operatic Studies in Italy.
In 2011, Philcox co-founded the Canadian Art Song Project with tenor Lawrence Wiliford. CASP’s mission is to foster the development of new song through an annual commission and its performance as well as providing opportunities for Canadian artists to program and, in doing so, reinvigorate the existing song literature. Since its inception, CASP has brought together composers, writers, and performing artists in the creation of ten new works for voice and piano. It has released four CDs dedicated to the music of Derek Holman, John Greer, and Norbert Palej, all of which have been received with great critical acclaim. For more information please visit: canadianartsongproject.ca
Philcox is currently Associate Professor and head of Collaborative Piano studies at the University of Toronto’s Faculty of Music.